Infinite Echoes Through The Halls

Infinite Echoes Through The Halls is my debut full-length release, five tracks of slowly evolving drone and melody that feel expansive where later work turns inward. Spacious pads, delicate piano, and softly plucked sequences drift through layers of texture and subtle noise, evoking the quiet vastness of deep space or the surface of a distant, uninhabited world. The unease present in later releases exists here too, but sits beneath something more open. Moments of genuine stillness and fragile hope surface throughout, particularly in the melodic phrasing.

Produced in Bitwig Studio using its native instruments, the album bears the influence of Tim Hecker’s early work — the warm, eroded atmospheres of Radio Amor and Harmony in Ultraviolet, while beginning to establish the textural drone language that would define subsequent releases. Without a fixed narrative concept, the album instead finds its coherence in mood: the feeling of being somewhere vast, unfamiliar, and not entirely alone.